thwack

thwack

FRANCESCA by Mohammadreza Mirzaei

Mohammadreza MirzaeiFRANCESCA I was exhausted. It was an hour since we parked the car down the mountain and came up the slope. I had spent all my life in Tehran, but I had never been in Tochal, which was one…

HOW A HEART by Sean Lyon

Sean LyonHOW A HEART Tricia the three-toed sloth started to slipper my hand into her undergrowth. “Wow,” I clickered, “I’m in love with this rainforest.” Then she maffled her tongue down some other toucan’s throat. How a heart emflampers under…

Five Paintings by Tish Ingersoll

Tish IngersollFIVE PAINTINGS Interviewed by Anastasiya Shekhtman How do you begin a painting? I often start a painting using a level and making several horizontal lines, varying distances apart. Then, using black acrylic, I use gestural lines to overlap them. Finally,…

YVONNE IN THE EYE OF DOG by Kathryn Kulpa

YVONNE IN THE EYE OF DOG
by Kathryn Kulpa

If God looked for Yvonne would he find her? If God looked down, past stars and satellites, through storm clouds thick and grey as dryer lint, would he see Yvonne in a stolen van, Yvonne in a darkened shopping plaza with Ma’s Diner and A-1 Hardware, Crafts Basket and Pets Plus?

Yvonne is down on options, down on her luck. Listening to the sighs and snores of her dog asleep in the back seat, the beat of rain on the roof. Her world the smell of wet dog. Her face in the mirror, hair wild, curling in the damp. Everything about her seems high-contrast, vampirish. Face white, except for that bruise her cover-up won’t cover. Tired eyes. White eyeliner is the trick for that, Teena had taught her. No white eyeliner in Yvonne’s make-up bag. No black, either. Almost out of tricks. She pats more cover-up on her eyelids, feels the oils in the makeup separate.

BLOODSUCKERS by Zach Fishel

Zach FishelBLOODSUCKERS Having sliced mosquitoes From the air all week, he sits with mail Neglected like the quiet granite Of New Hampshire. The enormity of moths is felt here. Thinking of the letters. That even in this loneliness there is…

PHENOMENON by Donna Vorreyer

Donna VorreyerPHENOMENON Homes awash in moonlight, in streetlight, the whole neighborhood hunched and hiding, watching the sky. All of the children are adrift, huddled in bushes, running under branches well past their usual bedtimes. It is a strange phenomenon, but…

TOURIST by Barbara Nishimoto

Barbara NishimotoTOURIST It was July, winter in La Serena, Chile, and Lily sat in a pretty little plaza, her feet resting on the battered train case that her mother had bought at Sears long ago.  Hard shell Samsonite.  Part of…

VINYL by Brian Druckenmiller

Brian DruckenmillerVINYL I was ready to die, so I jumped off the highest bridge in town, the river a dark frozen mass ready to accept my mangled mess of skin and insides. I detached from my descending body and watched…

ROMEO & JULIETTE by Kevin Tosca

Kevin ToscaROMEO & JULIETTE Romeo sent this text to Juliette: “Goodnight Julie.” She didn’t respond. It was their first night not sleeping together in two years. He didn’t know what she was thinking. The next morning, he had to return…

CONTROLLED HALLUCINATIONS by John Sibley Williams reviewed by Anna Strong

CONTROLLED HALLUCINATIONS
by John Sibley Williams
FutureCycle Press

reviewed by Anna Strong

Controlled Hallucinations is a collection of questions, interiors, and barriers—stepping into the world of these poems means being alone with your thoughts and the images and associations your brain creates only in its quietest moments. The title of the collection already suggests that these poems will occupy a space far removed from the outside world, but John Sibley Williams invites readers into this space with an introduction to the collection in the form of an untitled poem (following the dedication, which is to “the coming extinctions”). The introductory poem is a series of infinitive clauses (“To be the effect. / To be a thoughtful pause / and restrained response. / To the the passion of raking nails.”) which collectively define what can be expected from the ensuing poems.

BLINDING: THE LEFT WING by Mircea Cărtărescu reviewed by Nathaniel Popkin

BLINDING: THE LEFT WING
by Mircea Cărtărescu, in the English translation by Sean Cotter,
Archipelago Books, 464 pages

Reviewed by Nathaniel Popkin

It starts in adolescence. The questions come to you while lying in bed (certainly now with a growing awareness of your sexuality), the walls of your room expanding into endless grainy darkness, as if the room itself could encompass the entire world: why am I here, why is there anything at all?

The questions may haunt you at age 13 or 15 or 17, but by adulthood they tend to feel banal. Unanswerable, impossible, if taken seriously debilitating, they are in a word blinding, and so you tend to avert your gaze. But suppose you can’t, suppose the inviolable white light only draws you closer, to madness possibly, to paint or write or drink or pray (to what God, tell me?) almost certainly. And so perhaps you scribble, the pages of your notebooks filling with furious script, like eons of sediment piling into sad mute mountains no one else will ever excavate or carve or climb.

Unless, perhaps, you are a writer of the caliber of Mircea Cărtărescu, the celebrated Romanian author of the 1996 book Blinding: The West Wing. Cărtărescu is a poet, essayist, and novelist of unsurpassing imaginative vision and startling bravery. He has won several Romanian literary prizes, but beyond Romania and France, where a few of his novels have been translated, and Holland, where he has taught, Cărtărescu, a child of the post-War communist dictatorship of Nicolae Ceaușescu, is rather unknown. His only other novel to be out in an English edition is the 1993 Nostalgia, published here in 2005 by New Directions.

PICASSO IN 10 LINES and SNOW by Jerrold Yam

Jerrold YamTWO POEMS Picasso in 10 Lines Tell them the orange ocean. Make fear a nude woman. Two characters are more likely competitors than companions. Or the cautionary tale with shadows? Nothing is uglier than an angle struggling under the…

STRING THEORIES by Jason Gordon

Jason GordonSTRING THEORIES 1. It’s still December still July a blue cloud walks a dog across the lake my hands fall off I glue them back on my head falls off I warm it in the oven I no longer…

MY BITTER LOVE by John Oliver Hodges

John Oliver Hodges

John Oliver HodgesMY BITTER LOVE Miko seduced our mom with a gruesome story about Jews. When he was a boy, he told her, he followed the American soldiers into Bergen-Belsen. He saw the dead bodies and the bodies that were…

CATHEDRAL by Kieran Duddy

Kieran DuddyCATHEDRAL Ling turns up for class every other week and falls asleep halfway through the lesson. I watch her from the other side of the room as her head drops. Her round cheeks redden and her hair falls over…

HONEY by Carlo Matos

Carlo MatosHONEY You could tell they weren’t from around here by the way they spread their honey, with a finger instead of a spoon—all thin, pilling at the rug of bread. It was like the day she finally admitted she…

LEAVES OF GRASS APP UPDATE by Jim O’Loughlin

Jim O’LoughlinLEAVES OF GRASS APP UPDATE Click to view the update in higher resolution. Jim O’Loughlin teaches in the Department of Languages & Literatures at the University of Northern Iowa. He is the coordinator of the Final Thursday Reading Series and…

Join our other 6,540 subscribers!

Use this form to receive a free subscription to our quarterly literary magazine. You'll also receive occasional newsletters with tips on writing and publishing and info about our seasonal writing workshops.