thwack

thwack

BIRDS / NERVES by Max Bartlett

Max BartlettBIRDS / NERVES There’s this bird.  It’s nighttime, and there’s this bird.  And he’s flying, and who knows how long he’s been flying, because that’s not what’s important.  The thing is there’s this house.  Everything outside the house is…

FLYING by Grace Jordan

Grace JordanFLYING I was wearing my turquoise suede moccasins. I was afraid they would get wet because I knew it would start raining at any given moment. There was an ominous raincloud making its way down the block. I decided…

HUNGER by Amy Burns

Amy BurnsHUNGER I was sitting at my friend Bebe’s kitchen table. She was standing at the counter using a black and yellow handled screwdriver as an ice pick. I was telling her about it while she chopped. You should have…

THE ACOLYTES, LIAR, and BOX by Mercedes Lawry

Mercedes LawryTHE ACOLYTES, LIAR, AND BOX The Acolytes Somebody drowned the acolytes. They were not wee fellows so it must have been someone with plenty of muscle. Now an emptiness hovers like a bad smog burning throats and lungs. The…

COUCH by Jenny Wales Steele

Jenny Wales Steele

Jenny Wales SteeleCOUCH [?] It was an okay day. I don’t understand zoos, the appeal. The kids thrill to it, sure, but kids are dumb. My nephew flounced around, did his giddy slash sissy thing. He was wearing his jester’s…

TOUGH by Geoff Peck

Geoff Peck

Geoff PeckTOUGH You picture it: fourteenth floor of Walker dormitory. A former wrestler dangles from a window. The one they call Bisonhead has him by one ankle and another ex-teammate, a freshman, by the other. It’s late April in Oklahoma,…

A BINTEL BRIEF: LOVE AND LONGING IN OLD NEW YORK by Liana Finck reviewed by Ana Schwartz

A BINTEL BRIEF: LOVE AND LONGING IN OLD NEW YORK
by Liana Finck
Ecco Press, 128 pages

reviewed by Ana Schwartz

There’s a new sort of fiction circulating, stories of young people, by young people, for young people. This isn’t YA lit. These stories range across genres, even mediums, but they all describe the ambivalence of maturing in post-post-modernity. These narratives share a sense of lostness and reflective self-estrangement. The authors are smart and the narratives are smartly-dressed. They usually take place in New York. Think Frances Ha or Tai Pei or Girls. And if, as one well-respected author of such fictions has recently described them, they at times seem “cold, lazy, [and] artificial,” they also exhibit “extreme honesty and thoroughness of […] self scrutiny.”

Liana Finck’s new graphic novel, A Bintel Brief features one such young me-person; but, although the story mines her development as an artist, it does so by digging into the past. With the distance afforded by history, and supported by the graphic novel’s relatively diffuse gaze, Finck offers a warmer, and more engaged account of a remarkably persistent theme: how one comes to feel that they belong to a community.

ZOONOSIS by Kelly Boyker reviewed by Carlo Matos

Poetry by Kelly Boyker, reviewed by Carlo Matos ZOONOSIS (Hyacinth Girl Press) Kelly Boyker’s chapbook, Zoonosis, is loaded from cover-to-cover with fantastical creatures, folktale monsters, and twentieth-century “freaks” drawn from the pages of Robert Ripley’s “Believe It or Not.” The…

APOLLO by Geoffrey Gatza reviewed by Carlo Matos

APOLLO
by Geoffrey Gatza
BlazeVOX
, 168 pages

reviewed by Carlo Matos

Geoffrey Gatza’s Apollo is an all-out assault on the reader, like facing an opponent who senses you’re about to wilt and so presses the action. Every time we think we know what he’s doing, another surprise comes our way. And this is how good conceptual poetry should be—not just the simple execution of a clever conceit but a text that threatens at every turn to burst from the inside out and take the reader with it but never does. Taking the shape of a souvenir program for a one-night performance of Stravinsky’s ballet of the same name, the book contains a myriad of Dada-like exercises: poems generated by a John Cage-like method of assigning words to each square on a chess board and to each piece and then playing out the game between Marcel Duchamp and then US chess champion, Frank Marshall, at the Chess Olympiad in Hamburg in 1930 (accompanied by pictures of each position and a cat), an Arthurian legend based on the Lady of Shallot, a three-act play where Duchamp somehow manages to play himself as Rrose Sélavey (his female alter-ego), and a business letter to the director of the Albright-Knox Art Gallery, who kicked the author out one day for the mysterious offence of carrying an umbrella—a moment so Duchampian it is the perfect coda to this ready-made text. In “Fifteen Hundred Hours,” Rrose Sélavey says, “The consciousness that bound these obscurities. . . together/ was overgrowth.” It is a perfect metaphor for the entire collection, for this paean to Gatza’s modernist heroes who perform his ballet: Duchamp, Sélavey, Max Ernst, Gertrude Abercrombie, Leonora Carrington, Dorothea Tanning, and Dizzy Gillespie.

THE LAST ONE IN by Mary van Ogtrop

Mary van Ogtrop

Mary van OgtropTHE LAST ONE IN A bridge cuts a straight line across the sky, connecting one wooded area of Richmond, Virginia, to another. Imagine a bridge and you’ll see a parabola, the structure’s midsection arching high in the air…

HUNGRY by Rachel Estrada Ryan

HUNGRY
by Rachel Estrada Ryan

It has been seven days since we’ve run out of meat and vegetables in the freezer and most of the cans and boxes and jars in the pantry. My husband reminds me that we have not run out of money. He says this as he leans against our stainless steel refrigerator that matches the stainless steel stove and the stainless steel dishwasher and the stainless steel built-in microwave. Of course I know he’s right; I also know we probably never will. No, we will always have too much, and the people on the charity websites will never have enough, and frankly if I have to spend another afternoon hauling reluctant children and unforgiving paper-or-plastic bags I might just lose it once and for all. I’m not sure I can ever go to the supermarket again.

BRANDED by Zachary Lundgren

Zachary Lundgren

Zachary LundgrenBRANDED He was drunk and I’m sure it helped when I took the iron from the stove: a loud red, a cruel star. I held the iron like a relic of some religion we’ve all long forgot but is…

BUNGALESE CONSTRICTOR by Jason Kapcala

Jason KapcalaBUNGALESE CONSTRICTOR No one told me that Carlos’s gallery exhibition was that night until after I’d wrangled the Burmese python from under the porch and I was drenched through with rain and covered with dead leaves and muck. Storm…

IN SEARCH OF DEATH by Olive Mullet

Olive Mullet et al

Olive MulletIN SEARCH OF DEATH Because I could not stop for Death He kindly stopped for me. —Emily Dickinson —So why are you working at Hospice? Death is my thing. I’ve read all the books on it, most of them…

ALL EARS by Rick Bailey

Rick Bailey

Rick BaileyALL EARS A few weeks ago my father woke up almost totally deaf. He already had a significant deficit. For years he has worn hearing aids. One for each ear, they are a microphone, amplifier, and loudspeaker all in…

IN MY TIME by Shannon Viola

Shannon Viola

Shannon ViolaIN MY TIME I have a love-hate relationship with Hemingway. Sometimes when I’m writing, he’s over my shoulder. He seizes my hand and slashes the Latinate adjectives on my page while I wince and moan. He tugs at one…

WINGS TO GO by Jane Carroll

Jane Carroll

Jane CarrollWINGS TO GO There’s a chicken place on Ridge Avenue called “Wings to Go.” I occasionally wait for a bus across the street, and that sign always seemed to me a little too poetic for a wing place. It…

IN THE MEWS by Nicole Callihan

Nicole Callihan

Nicole CallihanIN THE MEWS Two feuding gardens are thought to be responsible for the most recent blooming. According to the rain, in late summer, a band of tiger lilies recruited a pack of peonies, and those peonies, comely as they…

MARCH 5, 1953 by Robert Wexelblatt

Robert Wexelblatt

Robert WexelblattMARCH 5, 1953 The funeral was flowerless. Every early spring bloom had been expropriated by the KGB for their boss. Scarcely forty people dared show up. Charged with counter-revolutionary bourgeois tendencies, tormented and shunned by the Composers Union, his…

A SAD, LOGICAL CAPITULATION by Justin Nicholes

Justin Nicholes

Justin NicholesA SAD, LOGICAL CAPITULATION (after D. H. Lawrence) The day a welding rod shimmied down Zou’s collar and combusted his shirt into singed tendrils, the same day my stomach caught traction in the scoop of his lower back and…

ALL GOOD THINGS by B.A. Varghese

B.A. Varghese

B.A. VargheseALL GOOD THINGS The milk was white and it squirted out from under his hands. He pulled and pulled the cow’s udders one at a time to a rhythmic beat and I watched it fall down in spurts after…

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