Live & Recorded Classes

Find community and grow your craft in our online workshops. Whether you’re a new writer or a well-published pro, you’ll find motivation, structure, constructive criticism, and a dedicated cohort.

Upcoming Class Calendar:

Instructor: Tricia Park

Date: Sunday, May 25, 2-4 pm ET on Zoom

Can’t make it on May 25th? No problem. A recording will be sent to all registrants.

Cost: $60. Open to writers of: All Genres

What if the key to writing a great story wasn’t writing at all—but speaking? Inspired by the late great Peter Elbow’s Vernacular Eloquence, this workshop explores how storytelling begins in the voice, not the page. Through guided exercises in talking your stories aloud before writing them down, we’ll unlock natural rhythms, authentic emotions, and the freedom to shape our narratives intuitively.

We’ll also explore progressive distancing—a technique that allows writers to step back from personal experience, transforming raw memories into crafted fiction. By shifting perspectives and filling in the gaps with imagination, you’ll discover how to turn personal moments into rich, compelling stories without feeling trapped by “what really happened.”

 
This generative workshop is perfect for writers who struggle with self-consciousness, feel stuck in personal truth, or simply want a more fluid, natural approach to storytelling. Participants can expect to leave with new writing to take home and develop. Come ready to talk, listen, and discover the hidden fiction in your lived experience.
 
Learn more about Tricia Park here.

Sunday, June 8, 2-3:30 pm ET on Zoom
Sunday, July 6, 2-3:30 pm ET on Zoom
Sunday, Aug 3, 2-3:30 pm ET on Zoom
Sunday, Sept 7, 2-3:30 pm ET on Zoom
Sunday, Oct 5, 2-3:30 pm ET on Zoom
See More Dates…

Cost: $5. Open to: All Writers

Are you struggling to find writing time? Showing up for your writing practice is the hardest part—life knocks you off track. 

Cleaver Magazine to the rescue! You don’t have to go it alone. Join us for our monthly Ass in Chair Sessions, a once-a-month, 90-minute commitment to your writing practice. With the communal energy that comes from writing together, you will make progress towards your writing goals, one word, one paragraph, one page at a time—by getting your Ass in Chair time. We’ll offer an optional prompt at the beginning—who knows where it will take you?

Each session costs $5 (because you’re more likely to show up for yourself if you have some skin in the game), and happens on the second Sunday of every month. Make the commitment to yourself. Register here. These sessions are not recorded.

Instructor: Karen Rile, Cleaver Editor-in-Chief

Sunday, May 18, 2-3:30 pm ET on Zoom
Sunday, June 22, 2-3:30 pm ET on Zoom
Sunday, July 13, 2-3:30 pm ET on Zoom
Sunday, Aug 10, 2-3:30 pm ET on Zoom
Sunday, Sept 14, 2-3:30 pm ET on Zoom
Sunday, Oct 12, 2-3:30 pm ET on Zoom

Cost: $5. Open to: All writers, all genres, all humans

Embodied ResistanceIt’s a metaphor; it’s a concrete concept. Resistance training is the key to longevity and long-term mobility. Join us for a Sunday afternoon functional yoga class to reconnect your body to your mind. We’ll practice a combination of movement, bodyweight resistance, brain mapping, and breathing for a fun, low-impact, anatomy-based workout. This class is based on the LYT Method (pronounced as in “litmag”), which combines the mindfulness of yoga with the intelligence of physical therapy to improve core strength, flexibility, and balance for humans of every age. You don’t need to be a writer, and you don’t need yoga experience to attend. 

Our brains were designed to move; the better you move, the better you think.

This class will be conducted on Zoom. You’ll need a yoga mat and two yoga blocks. If you have knee pain, have a blanket or towel nearby. If your wrists bother you, you can use a pair of dumbells (any weight) for support. You don’t need to turn on your camera, but if you set up your mat and camera so I can see you, I may be able to give you live feedback. Questions? Email me. Each session costs $5 and happens on the third Sunday of every month. If cost is a barrier, email me directly and you’ll be added to the list, no questions asked. Make the commitment to yourself. Register here

Instructor: Francine Witte

Date: June 29, 2025, 2–4 pm ET on Zoom

Can’t make it on June 29th? No problem. A recording will be sent to all registrants.

Cost: $60. Open to writers of:  Flash fiction and short prose (300–400 words)

You’ve written the draft. Now what? This interactive session explores revision as a creative act, not just a clean-up job. We’ll focus on powerful strategies for sharpening language, deepening emotional resonance, and reimagining structure in flash fiction. How can a shift in point of view open up new meaning? How does a small cut or one added image completely change the emotional arc?
Together, we’ll examine a toolkit of revision techniques and apply them through a series of guided exercises. The session includes a breakout room for small-group feedback and a final group critique of a few volunteer drafts (300–400 words), offering real-time strategies you can apply to your own work.
If you’ve got a messy draft and a hunch that something more is waiting to be uncovered—this class is for you.
 
Francine Witte is a flash fiction writer, poet, and prompt session leader. She is the author of eleven poetry and flash fiction books. Her work can be found in numerous journals. She is flash fiction editor of Flash Boulevard and Soflopojo. She is a former high school teacher. She lives in NYC.
 

Instructor: Beth Kephart

Date: Sunday, July 27,  2-4 pm ET on Zoom

Can’t make it on July 27th? No problem. A recording will be sent to all registrants.

Cost: $60. Open to writers of: All genres

In the tumult of these times, writing is neither self-indulgence nor distraction. It is, instead, that chance you have, that risk you take, to find proof of residual beauty, courage, purpose, even honesty. How do we find those things “worth” writing about? How does the work of drafting and revising center us, teach us, strengthen our resolve, reveal to us who we are and must be within this clamorous age? In this master class, Beth Kephart will share brief passages from writers who have offered written proof of beauty and meaning during the noisiest times. She will showcase her own work-in-progress, tracing a prose poem from inception through revision to illustrating and posting on her Substack, The Hush and the Howl. Come prepared to be inspired by writers like Virginia Woolf, Chloe Dalton, Lulu Miller, and Nick Cave and to write inspirations of your own.
 
Read more about Beth Kephart here
 

Instructor: Kathryn Kulpa

Cohort 1 Solstice Sprinters: June 21 to 29

Cohort 2 : Lughnasa Leapers: August 2 to 10

Cost: $300 per session

Open to writers of: Flash

Class limit: 6 per cohort

Are you ready to devote one week of your summer to an intense flash writing experience? Welcome to Hit the Ground Running: Summer Sprint Edition! This is a generative workshop designed to immerse writers in a week of daily writing.  Join a small, intimate cohort of fellow writers with the goal of creating seven new flash stories that you can continue to work on after the class ends. Each day has a different writing prompt, generally craft or form-focused, designed to spark new ideas or offer an alternative way to approach unfinished work. You will post your story by midnight each day, then read and comment on other students’ work in our online forum. Expect open-ended but challenging prompts and thoughtful, supportive written comments from your fellow students and the instructor.
 
This class is asynchronous, with an optional Zoom meeting. The workshop runs from Saturday to Saturday, with new work due every day except Wednesday, which will be a “breather” day and a chance for us to meet online, talk, and assess our progress. We will schedule a Zoom meeting on Wednesday (I’ll send a poll for the best time to meet). If you can’t meet Wednesday, there’s also an option to schedule a one-on-one meeting for feedback on your writing.
 
Designed for: Experienced and self-motivated prose writers or poets looking to expand into prose poetry and flash forms. It is helpful if writers have some flash writing experience or are familiar with the form. The assignments can be adapted for fiction, creative nonfiction/memoir, and hybrid work.
 
This workshop opens on Saturday, June 21—the day following the summer solstice, the longest day (and shortest night) of the year. On Wednesday, June 25, we will meet as a group to share our stories and comments. The final assignment is due Saturday, June 28 by midnight. Final comments are due Sunday, June 29 (but the site will remain open for the next week for those who need some catch-up time.) Register here for Cohort 1.
 
This workshop opens on Saturday, August 2—the day following Lughnasa, the traditional celebration of the harvest and start of the turn from summer into winter. On Wednesday, August 6, we will meet as a group to share our stories and comments. The final assignment is due Saturday, August 9 by midnight. Final comments are due Sunday, August 10 (but the site will remain open for the next week for those who need some catch-up time.) Register here for Cohort 2.
 

Instructor: Megan Stielstra

Date: Sunday, August 24, 2-4 pm ET on Zoom

Can’t make it on August 24th? No problem. A recording will be sent to all registrants.

Cost: $60. Open to writers of: All genres

We write what is urgent to us; we rewrite to make it urgent for others. This lightning-bolt session examines rewriting as an invitation to invite other people—readers—into your writing practice and, in many ways, your own head and heart. What will they need to understand what you’re trying to share? What will they need to feel what you felt, see what you saw? Pulling from both literary and oral storytelling traditions, we’ll engage in activities asking us to consider the different stages of the rewriting process—are you diving back into the work to find its deeper meaning, or preparing it to share with others, i.e. submission and publication?

We all have hard drives and handwritten notebooks full of stories. We wrote them for a reason—let’s find it. Let’s share it. Let’s get at your stories. 

Read more about Megan Stielstra here.

Instructor: Kathy Fish

Date: Sunday, Septempber 28, 2-4 pm ET on Zoom

Can’t make it on September 28th? No problem. A recording will be sent to all registrants.

Cost: $60. Open to writers of: All genres

Have you found yourself terrified and intimidated by the dreaded blank page? It’s a common problem for writers! Choreographer and dancer Twyla Tharp says, “in order to be creative, you have to know how to prepare to be creative.” As a big believer in the value of pre-writing, I have developed several exercises and activities aimed at immersion and deep work before we begin the joyful task of creating new art. The result? Fresh, original drafts of surprising depth and beauty. In this engaging, interactive two-hour session we will begin with a series of fun and interesting activities and prompts that will prime our brains for creative expression.

Next, we’ll put together “toolboxes” for story writing, equipping ourselves with our own unique word banks, vocabulary, images, characters, settings, even titles. Finally, we’ll draw on these tools to draft rich, resonant stories that might not otherwise be written had we not arrived at the page primed, prepared, energized, and inspired. 

This generative workshop is aimed at anyone who has a difficult time getting started; writers who feel they must drum up an “idea” or a “plot” before they put pen to paper or fingers to keyboard. Come ready to write, play, dare, and dream. Expect to leave this session three exciting flash fiction length drafts and an abundance of tools and tricks to call upon the next time you face the blank page. 

Kathy Fish’s stories have been widely published in journals, anthologies, and textbooks. Her work has been published in Ploughshares, Guernica, Swamp Pink, Electric Literature, Denver Quarterly, Best American Nonrequired Reading, the Norton Reader, and Norton’s Flash Fiction America (2023). She has been honored with a Copper Nickel Editor’s Prize and multiple appearances in both the Wigleaf Top 50 and the Best Small Fictions series. The author of five short fiction collections, Fish teaches a variety of writing workshops online and in person worldwide. She also publishes a bestselling craft newsletter, The Art of Flash Fiction, which was recently named one of the 20 Best Creative Writing Substacks by Writers at Work. Her writing has been generously supported by fellowships from the Ragdale Foundation and the Kerouac Project.

Recorded Classes

Missed it? No problem. Buy the recording.

Instructor: Chris Callison Burch
Open to writers of: All Genres

This masterclass explores the impact of AI on the writing profession, from creative possibilities to practical concerns. Watch the recording.

Instructor: Beth Kephart
Open to writers of: Creative Nonfiction, Memoir

Are we ever really objective when we write ourselves onto the page? This class offers tips for writing about yourself with complexity and power. Watch the recording.

Instructor: Jackson Tatge
Open to writers of: All Genres

In this hands-on workshop, you’ll create a professional website tailored to your unique voice and brand as a writer.  Watch the recording.

Instructor: Sophie Lucido Johnson
Open to writers of: All Genres

In this interactive workshop, you’ll learn how to create, grow, and monetize a successful email newsletter using Substack. Watch the recording.

Instructor: Morgan Larocca
Open to writers of: All Genres

In this masterclass, we’ll peel back the curtain and look into how publicity works to advance your book at every stage in your writing process. Watch the recording.

Instructor: Megan Stielstra
Open to writers of: All Genres

In this class, we’ll engage in activities to get experiences out of the body and onto the page, encourage risk and discovery, and examine literary craft in new ways. Watch the recording.

Instructor: Beth Kephart
Open to writers of: All Genres

In this class, we’ll take note as details evolve across pages, and discuss the additive impact. Generative prompts will also be offered. Watch the recording.

Instructor: Sarah Freligh
Open to writers of: All Genres

Students will leave this class with an understanding of character development and the aspects of craft involved in creating characters on a small canvas. Watch the recording.

Instructor: Jess Silfa
Open to writers of: All Genres

This two-hour masterclass will equip aspiring writers with the skills, insights, and strategies to craft compelling MFA applications. Watch the recording.

Instructor: Sophie Lucido Johnson
Open to writers of: All Genres

In this class, we will focus on the nuts and bolts of humor writing, and practice ways to incorporate levity into all types of compositions. Watch the recording.

Instructor: Jen Mathy
Open to writers of: All Genres

In this class, we’ll talk about your small-business “must-haves,” and look at best practices across the literary community. Watch the recording.

Instructor: Anni Liu
Open to writers of: All Genres

In this class, we will provide insight into the journey of publication –  from both the writer’s and the editor’s perspective. Watch the recording.

Instructor: Megan Stielstra
Open to writers of: All Genres

This class reframes publication as a vital and informative part of the writing practice, as opposed to rejection/acceptance roulette. Watch the recording.

Instructor: Megan Stielstra
Open to writers of: All Genres

In this class, we’ll take our writing out of the head and into the body, generating new work and digging into material you’re already exploring. Watch the recording.

Instructor: Kathryn Kulpa
Open to writers of: Flash

This class will help writers at all levels untangle the sometimes daunting process of taking your flash and microfiction from private to public. Watch the recording.

Instructor: Sara Levine
Open to writers of: All Genres

This class is a high-energy exploration of the rhetoric of grammar. We’ll look at how writers make decisions when they confront a sentence. Watch the recording.

Instructor: Beth Kephart
Open to writers of: Fiction & Nonfiction

In this class, we’ll be thinking about how to make the most of our obsessions in our writing practice and in our storylines. Watch the recording.

Instructor: Andrea Caswell
Open to writers of: Fiction & Nonfiction

This class reframes revision as a dynamic collaboration between writer and text, rather than a combat sport. Watch the recording.

Instructor: Sheree L. Greer
Open to writers of: All Genres

In this class, writers explore point of view as a craft element, an opportunity for play, and a portal of exploration in prose and in creative practice. Watch the recording.

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