DOG MEMORIES
by Doug Ramspeck
It must be the stillness of a morning sky, the repose of grass in a field beyond a fence, or maybe the kitchen floor where my father is forever dying of a heart attack when I am five, fat doves singing outside the windows of our rental house in rural Ohio. It seems possible to remember the half-life of light on a leaf outside my childhood bedroom window in dead summer, to construct an impression from the mud of the river or the black clothes of the mourners, to dream an open maw of earth. My memories of my father are as imprecise as footprints filling with snow, though I do recall, a few months later, a bulldog coming toward me—after we were evicted from the rental home—on the porch of my grandfather’s house, the creature lunging, then hovering above me. In my vision the beast snares me with his great teeth pressed against my neck, though years later my mother claims the dog was simply exuberant with friendliness and knocked me down. But if I close my eyes, I feel the animal heat of breath against my skin, the sharpness of teeth. Or maybe, it sometimes seems, memories transform to living organisms, evolving or devolving, breathing and letting go, asserting whatever volition they can. I am eleven when my mother’s live-in boyfriend begins locking our German shepherd in the basement, which is a sign, we know, that he plans to beat one of us, or maybe both. The basement, as I remember it, is small and low-slung, with bare cement and a naked light bulb, cobwebs having their conversations with the hot or cold air breathing through the vents. I remember blood oozing from my mother’s nose, the swollen baptism of an eye, the dustiness of memory growing more opaque yet powerful with decades, as though the past becomes a dust devil swirling its magic in August, rising from the dry earth to make itself into a living being. We are homeless, then, residing in my mother’s car, the cold winter air a judgment. Once my mother is given a frozen turkey at a food pantry, and we bring it back to the Ford, uncertain how to cook it. I remember how heavy the turkey feels when I hold it in my lap, and I recall—digging deep into memory—building a fire from sticks and discarded newspapers and whatever dry wood we can find at the roadside. And then a skinny man with a white beard and a voice like a rabid dog is stopping his motorcycle by the bar ditch and stealing the turkey from us before we have even found a way to place it above the flames. Blood trails its offering down my mother’s forearm after the man lunges at her with a box cutter. And now, rising in my vision, is the man racing off on his motorcycle with our turkey clutched like a sleeping infant in one arm.
Doug Ramspeck is the author of five poetry collections. His most recent book, Original Bodies (2014), was selected for the Michael Waters Poetry Prize and is published by Southern Indiana Review Press. Individual poems have appeared in journals that include The Kenyon Review, The Southern Review, and The Georgia Review. Stories have appeared in Iowa Review, Green Mountains Review, Gargoyle, and others.
Cal Freeman was born and raised in Detroit. His writing has appeared in many journals including Birmingham Poetry Review, Rattle, Ninth Letter, and Drunken Boat. He is the recipient of the Howard P. Walsh Award for Literature and The Devine Poetry Fellowship (judged by Terrance Hayes). He has also been nominated for Pushcart Prizes in poetry and creative nonfiction. His first book of poems, Brother of Leaving, has just been published by Antonin Artaud Publications. 
Marc Harshman is the Poet Laureate of West Virginia. He is the author of a full-length poetry collection, Green-Silver and Silent, out from Bottom Dog in 2012, and four chapbooks including Rose of Sharon, Mad River. His periodical publications include The Georgia Review, The Progressive, The Bitter Oleander, Emerson Review, Salamander, 14 Hills, and Gargoyle. Harshman’s poems have been anthologized by Kent State University, the University of Iowa, University of Georgia, and the University of Arizona. He is also the author of twelve children’s books including The Storm, a Smithsonian Notable Book. 
Jen Julian’s essays and short stories have appeared in Press 53’s Open Awards Anthology for 2010 and 2013, Four Way Review, New Delta Review, North Carolina Literary Review, and The Antigonish Review, among other places. She also has work up and coming in New South, Tahoma Literary Review, and The Chattahoochee Review. Currently, she is a PhD candidate in Fiction at the University of Missouri, Columbia, though she calls rural North Carolina her home.
Erin Jones is an MFA candidate at the University of Florida. Her work has appeared in Subtropics, Boxcar Poetry Review, Natural Bridge, Tar River Poetry, and The Lyric. 
Douglas J. Ogurek’s fiction appears in Bards and Sages Quarterly, British Fantasy Society Journal, The Literary Review, Gone Lawn, The Milo Review, Morpheus Tales, Schlock Magazine, Wilderness House Literary Review, and several anthologies. Ogurek is the communications manager of a Chicago-based architecture firm and has written over one hundred articles about facility planning and design. He also reviews films at Theaker’s Quarterly Fiction. More at 
ACTION AT A DISTANCE 
Grace Singh Smith was born and raised in northeast India where she worked as a teacher, TV anchor, and journalist. She now lives in Santa Monica, California, where she works at Santa Monica College by day and writes fiction by night. Her short stories have appeared in the Santa Monica Review. She is an MFA candidate at Bennington College and is working on her first novel.
Susannah Betts is a writer, artist and graduate student living in Rochester, N.Y. She grew up in Bowie, Md. and graduated from Wesleyan University with a BA in physics in 2015. She likes disrupting the gender binary and the stigma surrounding female and non-binary sexual pleasure in her work. She currently serves as the fiction editor of the online intersectional feminist literary magazine The Fem and has been published in some various places that you can find listed here: 
Alex Vidiani is an MFA student at the University of Maryland, College Park. In his spare time, he enjoys wingtips, café-hopping, and marathons of Mad Men. If you buy him a drink he will be your friend forever. His work has been published in 
Adam Shafer is a journalist by training and an advertiser by trade. His writing has appeared in numerous publications including Carve magazine’s 2013 Raymond Carver Short Story Contest and New Millennium Writing’s 2015 fiction contest. In 2014, he was honored with the Nancy D. Hargrove Prize for Fiction from The Jabberwock Review. He lives in Chicago with a woman and a dog. Follow him on Twitter at @adamjshafer. 
Sarah Marshall grew up in Oregon and taught writing for several years at Portland State University, where she developed many courses around her obsessions, including a class called “The Idea of North.” She writes poetry, fiction, and nonfiction on topics including insects, invasive species, pet stores, vigilantism, vampires, crime, and Florida. Most recently, her work has appeared in The Best American Nonrequired Reading 2015. She is currently pursuing a PhD in English at the University of Wisconsin-Madison.
Laurel Hooker is an artist living and working in Philadelphia. She received her BFA in painting from Tyler School of Art at Temple University. Brought up exploring the mountain wilderness outside of Knoxville, Tennessee, the natural world remains a central source of inspiration for her work. Her additional enthusiasms include all things musical, ethical, and edible. Further images of her work can be found at 
Gwendolyn Edward is a Pushcart-nominated writer of non-fiction, poetry, and fiction. Her work has been accepted by Crab Orchard Review, Fourth River, Bourbon Penn, Crack the Spine, and others. She holds a MA in Creative Writing from the University of North Texas where she worked with American Literary Review, and she is currently pursuing a MFA at Bennington. She works with Fifth Wednesday Journal as an assistant non-fiction editor and also teaches creative writing.
Carla Drysdale is a Canadian poet who resides in France. Her first book of poems, Little Venus, was published by Tightrope and her chapbook, Inheritance, is forthcoming from Finishing Line Press. Her poems have been published in 
Paul Crenshaw’s stories and essays have appeared or are forthcoming in Best American Essays, Best American Nonrequired Reading, anthologies by W.W. Norton and Houghton Mifflin, Glimmer Train, Ecotone, North American Review, and Brevity, among others. He teaches writing and literature at Elon University. 
Michelle Doll’s paintings capture quiet, intimate moments hinged on personal connections between her subjects, as well as their interactions with the world around them. Doll’s recent works are imbued with femininity and introspection, and explore the themes of love, desire and connection. She earned her B.F.A. from Kent State University and M.F.A. from New York Academy of Art where she graduated cum laude on both. Her work has been exhibited and featured worldwide at galleries in New York, St. Barth’s, San Francisco, Chicago, Basel, London, and Olso. She is represented by Lyons Wier Gallery in New York City and Galleri Ramfjord in Oslo, Norway. Michelle currently lives and works in Hoboken, New Jersey.
Sara Alaica is a citizen of the world and a nomad. She grew up in Canada and in the Balkans and has lived in Japan, Australia, New Zealand, and the United States. Between traveling the seven continents, she earned her BA in literature from Carleton University and an MA in literature from the University of Toronto. She currently works at Columbia University in New York City. She blogs at 
Nels Hanson grew up on a small farm in the San Joaquin Valley of California and has worked as a farmer, teacher, and contract writer/editor. His fiction received the San Francisco Foundation’s James D. Phelan Award and Pushcart nominations in 2010, 2012, and 2014. Poems have appeared in Word Riot, Oklahoma Review, Pacific Review, and other magazines and have received a 2014 Pushcart nomination, Sharkpack Poetry Review’s 2014 Prospero Prize, and 2015 and 2016 Best of the Net nominations.
Dan Tessitore’s work has appeared in The American Poetry Review, The Common, Denver Quarterly, Fence, and elsewhere. He teaches writing and literature at Eastern Illinois University.
Mark Brazaitis is the author of six books of fiction, including The River of Lost Voices: Stories from Guatemala, winner of the 1998 Iowa Short Fiction Award, The Incurables: Stories, winner of the 2012 Richard Sullivan Prize and the 2013 Devil’s Kitchen Reading Award in Prose, and Julia & Rodrigo, winner of the 2012 Gival Press Novel Award. His latest book, Truth Poker: Stories, won the 2014 Autumn House Press Fiction Competition. To learn more about him, visit his website: 
Nigar Alam was born in Karachi, Pakistan, but grew up in Italy, Kenya, Turkey, and several other countries. She hopes to bring all these experiences together in her writing. She is an educator and currently lives in Minnesota with her husband and two children. Her flash fiction can be found in the Atticus Review.
West Virginia native Marie Manilla is a graduate of the Iowa Writers’ Workshop. Her fiction has appeared in the Chicago Tribune, Mississippi Review, Prairie Schooner, and other journals. Her novel, The Patron Saint of Ugly (Houghton Mifflin Harcourt, 2014), won the Weatherford Award. Shrapnel (River City Publishing, 2012), received the Fred Bonnie Award for Best First Novel. Still Life with Plums: Short Stories (West Virginia University Press, 2010) was a finalist for both the Weatherford Award and Foreword Reviews’ Book of the Year. Learn more at 
Kevin Tosca’s stories have been or soon will be published in Redivider, Literary Orphans, Paper Darts and elsewhere. A frequent contributor to Cleaver, his short story 
Robert W. Henway is a student at the University of Iowa working on a degree in English and Creative Writing. Originally from Grand Rapids, Michigan, his passions reside in literature and music. He hopes to pursue a career in writing.
Roy Bentley has received fellowships from the NEA, the Florida Division of Cultural Affairs, and the Ohio Arts Council. Poems have appeared in The Southern Review, Shenandoah, Pleiades, Blackbird, North American Review, Prairie Schooner and elsewhere. Books include Boy in a Boat (University of Alabama), Any One Man (Bottom Dog), The Trouble with a Short Horse in Montana (White Pine), and Starlight Taxi (Lynx House). He has taught creative writing and composition at universities and colleges throughout the Midwest and in Florida. These days, he teaches for Georgian Court University in New Jersey and lives near the Jersey Shore.
Emily Anne Hopkins received her BA in creative writing from Albion College and is currently a poetry candidate in the University of Pittsburgh’s MFA program. There, she reads for Hot Metal Bridge and teaches creative writing. She was recently awarded the Academy of American Poets Graduate Poetry Award, judged by Jessica Helen Lopez.
THE SECRET WORLD OF YAYO 
Erin Victoria Bradley lives in southern Illinois and is soon to graduate Southern Illinois University at Carbondale with a B.A. in English. This is her first professional publication. She is currently at work on her debut novel and a scattering of short stories.
Larry Eby is the author of two books of poetry, Flight of August, winner of the 2014 Louise Bogan Award from Trio House Press, and Machinist in the Snow, ELJ Publications 2015. His work can be found in Forklift, Passages North, Fourteen Hills, Thrush Poetry Journal, and others. He is the editor in chief of Orange Monkey Publishing, a poetry press in California.
Soyini Ayanna Forde grew up in Trinidad and Tobago. She has work forthcoming and in Moko, Black Girl Dangerous, Apogee Journal, SX Salon, The Caribbean Writer, Tongues of the Ocean, The Guidebook, St. Somewhere Journal, and Black Renaissance Noire. Her poetry chapbook Taste of Hibiscus was published by Dancing Girl Press. She is very interested in West Indian identity, diasporic connections, and what she can learn from the resilience of strong women. She blogs about race, her love life, and West Indian culture at 
Alexia Underwood was born in Kuwait and grew up between the U.S. and the Middle East. She holds two Masters from the University of California, Berkeley in journalism and international and area studies with a focus on Arabic literature. Her chapter on Egyptian literature after the 2011 revolution is forthcoming in an anthology from AUC press, and her nonfiction writing has been published in VICE, Bloomberg Businessweek, and various other publications.
Lynn Levin’s newest books are the poetry collection Miss Plastique (Ragged Sky, 2013), a Next Generation Indie Book Awards finalist in poetry, and 
Donald Quist is a writer and editor living in Bangkok, Thailand. His work appears or is forthcoming in Hunger Mountain, Pithead Chapel, Knee-Jerk, Queen Mob’s Teahouse, Adroit Journal, Apeiron Review, Numéro Cinq, Slag Glass City, Awst Press, Publishers Weekly, J Journal, The Rumpus, and North American Review. He serves as Fiction Editor for 
Lena Popkin attends Central High School in Philadelphia. She has worked on the staff of the Mirror, a literary magazine, and has attended the Bard College summer Workshop. She is the recipient of an award from Philadelphia Young Playwrights, and her work has appeared in the Philadelphia Inquirer.
Robert Lietz has published eight collections of poems. His work has appeared in journals in the U.S., Canada, France, Sweden and U.K. He spends a good deal of time taking, post-processing, and printing photographs and exploring the relationship between image-making and poetry.
Aimee LaBrie teaches and works at Rider University. Her short story collection, Wonderful Girl, was awarded the Katherine Anne Porter Prize in Fiction and published by the University of North Texas Press in 2007. Her second collection of stories, A Good Thing, recently placed as a finalist in the BOA Short Fiction Contest. Her short stories have been published in Pleiades, Minnesota Review, Iron Horse Literary Review, Permafrost, and other literary journals. In 2012, she won first place in Zoetrope’s All-Story Fiction contest. You can read her blog at 
Diego Reymondez is a dizzy mess who passed out in New York and woke up in Spain. Since regaining consciousness, he’s planted a food forest and now must spend his days making rocket stoves, keeping his brother from dying on intergalactic travels, taking care of animals, and generally learning how to nature. Eventually he gets around to writing. 
Betsy Campbell Stone is an emerging writer from Sacramento, CA. She retired from her career as a healthcare strategy and marketing executive to care for her father, Henry, then eighty-nine. Over his final seven years of life, she returned to writing. While pursuing her M.F.A. in Creative Nonfiction at Bennington College, she supports nonprofits in their missions to end hunger, aid caregivers, and promote comfort at the end of life.
