Category Poetry Craft Essays
POETRY AS VENN DIAGRAM, A Craft Essay by Jacob Butlett

ALL THE THINGS: WRITING CATALOG POEMS, a Poetry Craft Essay by Erin Murphy

HOW TO WRITE A LOVE POEM, a Poetry Craft Essay by Xochitl-Julisa Bermejo

Writing to the End: Artistic Choices in Apocalyptic Times, a Poetry Craft Essay by Heidi Seaborn

Other Wisdoms: The Divinatory Potential of Poetry, A Poetry Craft Essay by Michele Battiste

Poetry and the Kink: The Inherent Queerness of the Poetic Line, by Matthew W. Baker

There’s No Cheating in Poetry, by Elizabeth Galoozis

On Writing “What Is Left” and How a Poem Remembers and Speaks, a Poetry Craft Essay by Bunkong Tuon

It Started with a List: CRAFTING A HELIX POEM, a Poetry Craft Essay by Eileen Toomey

THE GENEROUS ACT OF PUBLISHING DRAFTS, a Poetry Craft Essay by Abbie Kiefer

METAPHOR AS SEDUCTION, a Craft Essay by Henrietta Goodman

ROOTED IN THE PLACE YOU KNOW, a Craft Essay by Bradley Sides

THE USES OF ANAPHORA in Jason Schneiderman’s Poems “Anger” and “Star Dust” by Adrie Rose

MYSTERY, MISCARRIAGE and MENDING, a Craft Essay by Kelly DuMar

THIRTEEN POTSHOTS AT THE PROSE POEM, a Craft Essay by Mike James

GROWING SEASONS: On Plants and Poetry, a craft essay by Luiza Flynn-Goodlett

HARNESSING WILDNESS: THE PRACTICE OF POETIC LEAPS , a Craft Essay by Kari Ann Ebert

BUILDING BOATS, WRITING POEMS A Craft Essay by James Diaz

THE ELEPHANT OF SILENCE, a poetry craft essay by John Wall Barger

YOU ARE A POET (Even When You Aren’t Writing) A Craft Essay by Mark Danowsky

SHOWING AND TELLING: Seven Ways to Help Your Writing Breathe, A Craft Essay by Billy Dean

WORKING FOR SURPRISE: On Running, Prescriptive Teaching, and the Language of First Drafts A Poetry Craft Essay by Devin Kelly

POETRY AS PRACTICE How Paying Attention Helps Us Improve Our Writing in the Age of Distraction A Craft Essay by Scott Edward Anderson

WRITING THE SUPERHERO POEM, a craft essay by Lynn Levin

DON’T BE A DRONE: Manipulating the Reader Through Pitch and Pace, A Poetry Craft Essay by Grant Clauser

ACROSS THE DIVIDE AND BACK: How Writing Poetry Is Changing My Nonfiction, a craft essay by Vivian Wagner

SOMEONE IS WRITING THE REAL WEST VIRGINIA, a craft essay by Mary Ann Bragg

THE EMPATHY MACHINE, Part Two by Kelly McQuain text version

THE MAN ON THE COUCH AND THE MAN WHO SPEAKS POEMS by J.G. McClure

WHY I WRITE Or, It’s The End of the World as We Know It and I Feel (Sorta) Fine by J.G. McClure

IN PRAISE OF MISTRANSLATIONS by J.G. McClure

LEAVING APPALACHIA: Overlap in Poetic Landscapes by Julia Paganelli

THE POET’S “I”: DISTANCE THROUGH FIRST-PERSON by Katie Rensch

APPROACHING BORDERS by Nathaniel Popkin

CROSSING THE EMOTIONAL LANDSCAPE: ARCHER, BOB’S BURGERS, AND CONTEMPORARY POETRY by J.G. McClure

RETHINKING THE SHITTY FIRST DRAFT by George Dila

THAT DEXTEROUS MARGIN by Michael McFee

THE ART OF DESPAIR by Allison Seay

TO STAY OR TO GO INTO EXILE: Milosz and Szymborska by Niels Hav

IN A SPRAY OF SPARKS: Emotion, Sincerity, and the “Skittery Poem of Our Moment” by J.G. McClure

SAY IT AGAIN, BUT BETTER: RESISTANCE AND REVISION by Devi S. Laskar

THE MISEDUCATION OF THE POET: High School and the Fear of Poetry by J.G. McClure

