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Cleaver Magazine

Fresh-Cut Lit & Art

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Category Archives: Intermedia

REPARATIONS WINE LABEL Text by J’nai Gaither Illustrated by Phoebe Funderburg-Moore

Cleaver Magazine Posted on September 29, 2020 by thwackSeptember 21, 2020

REPARATIONS WINE LABEL
Text by J’nai Gaither
Illustrated by Phoebe Funderburg-Moore

Click on images for full-size.

Reparations Wine Label Front and Back of Bottle image

Front Label for Reparations Wine

Back of Reparation Wine Label

Full Text of Label:

Blacks in Wine Matter
Reparations Red Wine
United Colors of America
Nappy Valley
2020
401mL              16.19% by volume
To be acknowledged and included in this White wine industry is all people of color have ever wanted. Though wine is as global as industries come, it has never been welcoming to people of color. Even in South Africa, on the Mother Continent, most wineries are owned by White South Africans, though there has been a push to put the economic opportunities of winemaking into the hands of Black people. After 401 years, time is up. Drink and protest responsibly. 
Reparations is made from Petite Sirah and Tannat, two thick-skinned black grapes that offer a hearty and savory liquid meal to the adventurous imbiber. With hints of espresso, blackberry and cocoa, Reparations gives back to the drinker what’s been stolen from them: the freedom to enjoy wine uninhibited. Aged in oak for only six months since we have already waited long enough.
Government Warning: (1) According to people of color, wine should be more accessible and less pretentious. It should not divide, and consumers and hiring managers should get used to seeing people of color in the wine space or risk losing a significant portion of the $1.2 trillion that is Black buying power. (2) Consumption of this alcoholic beverage may wake up the world to a bitter racism that has persisted in the industry for decades.
401mL                        Contains Anger & Indignation

J'nai Gaither author photoJ’nai Gaither is the hungriest of storytellers, always foraging for the next, excellent food and beverage story, or the most delicious of ad campaigns. When not consuming copious amounts of champagne and burgundy, she’s usually planning her next meal while listening to opera. Her work has appeared in Plate Magazine, New York Magazine’s Grub Street, Eater, Dining Out Chicago, Vinepair, From Napa With Love and other books and publications. You can see her work on Amy’s Kitchen website and packaging, as well as on current Sargento Cheese commercials. She has also been featured in the San Francisco Chronicle, Wall Street Journal, and Washington Post.

Phoebe Funderburg-Moore artist headshotPhoebe Funderburg-Moore is a Philadelphia-based illustrator, screen printer, and graphic designer. Her work is focused around self-discovery, love of nature, and observational humor. Recently Phoebe has been teaching herself animation and digital illustration. To view more of her work, visit phoebefm.com and follow along on Instagram at @phoebemakesart.

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Published on September 29, 2020 in Art, Collaboration, Intermedia, Issue 31, Nonfiction, Visual Narrative. (Click for permalink.)

A HISTORY OF ANYWAY

Cleaver Magazine Posted on December 29, 2019 by laserjDecember 29, 2019

A HISTORY OF ANYWAY
Intermedia
by Nance Van Winckel

Sad lad of the far north, you with no means and no true lassie, with no way home and no home anyway, you voyage on.

And yes, as per usual, just when the key to all seems within reach, the dreaded forever descends.

[click images to enlarge]

Three feminine figures in white dresses and ornate orange headpieces speaking to someone dressed as a servant or clown, against a mountain backdrop. Text: A History of Anyway, The degradations happen, In poor light. In the meantime.  Found poetry on the page of an ancient book, which reads: ASS AND MOTHER. far, far was the babe for fees; no one thought himself home. Next to the text, an angelic figure speaking to a cloaked figure. Found poetry on a yellowed page, which reads: lad stretched then went not for her. Next to the words is an image of a royal figure holding a bird, next to a warrior holding a sword.Found poetry on a book page with a floral border. Text reads: given ths no, all high up fixed, with A.K.A in the corner. An image on the page shows a royal figure wearing a large gown, with the words "A.K.A.," "Clouded Thoughts," and "hidden tail" next to them.Found poetry on a page surrounded by a floral design, which reads: big white rooms ran to one edge. his bear dared not look He left afraid it danced. In the top right corner is an image of a bear laying on it back in chain and a cloaked figure standing over the bear.Found poetry on a stained book page. Title: THE KEY TO FOREVER LOST FOREVER. Text: her eyes begged but you your world, and dumb she went. Image of feminine figure looking into sun next to tall object with closed eye on it. Ornate art piece depicting animal-like royal figure wearing coat, accessories, and head gear. Stands against blue starry sky with black birds flying above and large colorful birds flying adjacent to the royal figure. Ghostly figure on top right. Text: To welcome what arrives to blacken the flowered fields.


Nance Van Winckel is the author of eight books of poetry, most recently Our Foreigner, winner of the Pacific Coast Poetry Series Prize (Beyond Baroque Press, 2017), Book of No Ledge (Pleiades Press Visual Poetry Series, 2016), and Pacific Walkers (U. of Washington Press, 2014). She’s also published five books of fiction, including Ever Yrs, a novel in the form of a scrapbook (Twisted Road Publications, 2014), and Boneland: Linked Stories (U. of Oklahoma Press, 2013). She teaches in the MFA programs at Eastern Washington University and Vermont College of Fine Arts. Read more at her website. 

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Published on December 29, 2019 in Art, Intermedia, Issue 28. (Click for permalink.)

ACTIVE CONFLICT ZONES by Francesco Levato

Cleaver Magazine Posted on June 6, 2018 by thwackMay 23, 2018

ACTIVE CONFLICT ZONES
by Francesco Levato

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My visual and textual work tends to be palimpsestic; layered, erased, meaning bleeding between frames and lines. I am interested in what is left unseen or unsaid, hidden in the density of image and language. I am also interested in construction and deconstruction as methods of visual and textual composition. I build from found audio, video, objects, and texts; disassembling and recontextualizing them, often using appropriation to resist or subvert asymmetrical power structures.

Active Conflict Zones is one such project, a series of visual poems constructed with language appropriated from Executive Order 13780, Protecting The Nation From Foreign Terrorist Entry Into The United States, and screen captures of digital video compression artifacts found between frames in Battle Beyond the Sun, an Americanized, English-dubbed, version of the 1959 Soviet science fiction film Nebo Zovyot.

I found hidden within the language of security in Executive Order 13780 the underpinnings of a xenophobic worldview that simultaneously aspires toward empire. In the text of the poems I sought to lay bare the underlying mechanics of power inherent such colonial impulses, and in the visuals I sought to subvert the legitimacy of claims to security from an administration compromised by foreign power. In attempting to hide the Soviet origins of the film Nebo Zovyot the American director of the retitled Battle Beyond the Sun replaced Soviet spacecraft with U.S. ones, obscured all text that appeared in Russian, and replaced the names of Soviet actors with those of English voiceover actors in the film’s credits; the screen-captured compression artifacts, the bleed through of data between the video’s keyframes and the P and B frames (usually hidden and containing only partial information from the surrounding frames), for me served as visual metaphor. —Francesco Levato, June 2018




[click to enlarge images:]


Francesco Levato is a poet, a literary translator, and a new media artist. Recent books include Arsenal/Sin Documentos (forthcoming 2018, Clash Books); Endless, Beautiful, Exact; Elegy for Dead Languages; War Rug, a book length documentary poem; Creaturing (as translator); and the chapbooks A Continuum of Force and jettison/collapse. He has collaborated and performed with various composers, including Philip Glass, and his cinépoetry has been exhibited in galleries and featured at film festivals in Berlin, Chicago, New York, and elsewhere. He founded the Chicago School of Poetics, holds an MFA in Poetry and a PhD in English Studies, and is currently an Assistant Professor of Literature & Writing Studies at California State University San Marcos.

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Published on June 6, 2018 in Art, Intermedia. (Click for permalink.)

THE BROWNIES AT WORK by Nance Van Winckel

Cleaver Magazine Posted on March 22, 2018 by thwackMarch 13, 2018

THE BROWNIES AT WORK
by Nance Van Winckel

Welcome to Cleaver’s brand new genre, INTERMEDIA, where word and image intersect to create newly mediated spaces between the literal and the figurative—part word, part image, and deviantly part-way! And what better way to start off than with “Brownies,” those there-but-not-there creations that inhabit the virtual terrains and ordinary realms of our creative lives. —Ed.



Nance Van Winckel is the author of eight books of poetry, most recently Our Foreigner, winner of the Pacific Coast Poetry Series Prize (Beyond Baroque Press, 2017), Book of No Ledge (Pleiades Press Visual Poetry Series, 2016), and Pacific Walkers (U. of Washington Press, 2014). She’s also published five books of fiction, including Ever Yrs, a novel in the form of a scrapbook (Twisted Road Publications, 2014), and Boneland: Linked Stories (U. of Oklahoma Press, 2013). She teaches in the MFA programs at Eastern Washington University and Vermont College of Fine Arts. Read more at her website. 

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Published on March 22, 2018 in Art, Intermedia. (Click for permalink.)

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Ask June!

Cleaver’s in-house advice columnist opines on matters punctuational, interpersonal, and philosophical, spinning wit and literary wisdom in response to your ethical quandaries. Write to her at today!

ASK JUNE: Coronavirus II: The Old Marcher and the Masked Baby

ASK JUNE: Coronavirus II: The Old Marcher and the Masked Baby

A note to my readers: Here are a few more coronavirus-related letters. Knowing what I know now, I would have submitted them all at once, a few weeks ago, instead of spacing them out. Things have changed so quickly since that first batch: problems like nagging mothers and the niceties of social-distancing behavior may seem petty and quaint as compared to the deadly-serious questions and sweeping protests following the murder of George Floyd. I will submit my second batch of letters now, but humbly, in hopes that they may provide a moment of entertainment for those of you who are ...
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June 9, 2020

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March 23, 2021
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