PLAYING WITH POINT OF VIEW
A Workshop for Fiction Writers
Taught by Cleaver Founding Editor Karen Rile
June 9, 16, 23, 30, and July 7, 6:30 – 8:30 pm ET
Class Limit: 12
$200
Questions: [email protected]
“Point of view” is more than just the vantage point of the narrative voice telling your story. It’s the filter that colors and controls your readers’ experience of the characters and plot you create. The possibilities are infinite. In this generative, craft-focused workshop you’ll experiment and explore, creating new work each week to share and discuss in a supportive online group.
Each week we’ll read a few stories and/or novel excerpts illustrating different approaches to point of view. Story discussions take place in a private online discussion group; your creative work is due at the time of our Wednesday workshop. Come have fun with us!
This class is appropriate for prose writers of all levels, including prose-curious poets.
Karen Rile is the author of Winter Music (Little, Brown), a novel set in Philadelphia, and numerous works of fiction and creative nonfiction. Her writing has appeared in literary journals such as The Southern Review, American Writing, Creative Nonfiction, Other Voices, Superstition Review, Tishman Review, and has been shortlisted among The Best American Short Stories. Karen has published articles and essays in The San Francisco Chronicle, The New York Times, the Philadelphia Inquirer, The St. Louis Post-Dispatch, and others. She is the founding and chief editor of Cleaver and the Director of Cleaver Workshops.
Karen lives in Philadelphia and teaches fiction and creative nonfiction at the University of Pennsylvania. She holds a BA from the University of Pennsylvania, an MFA from Bennington College, and a certificate in satire from The Second City. She is also the mom of four adult daughters with more interesting careers than her own: an aerialist, a glass artist, a violist, and a playwright.
Follow her on Instagram @whatkindofdog.
Claire Oleson is the winner of the 2019 Newfound Chapbook Prize and a graduate of Kenyon College, where she studied English and Creative Writing. She has participated in graduate writing workshops with the Kenyon Review, where she also worked for the entirety of her undergraduate career. She has worked as a TA for Northwestern University’s summer creative writing courses. Her work has been published by the Kenyon Review online, the University of Kentucky’s graduate literary journal Limestone, the LA Review of Books, and Sugar House Review, among others. She currently serves as the poetry editor for Cleaver and lives and works in NYC.
Dinah Lenney has played countless roles on stage and television, from Lady Macbeth to ER’s Nurse Shirley. She’s a graduate of Yale, where she didn’t study theater, the Neighborhood Playhouse, where she did, and the Bennington Writing Seminars, where she presently teaches nonfiction. Dinah’s taught writing and acting in schools all over the country, and co-wrote Acting for Young Actors with director Mary Lou Belli. The author of The Object Parade and Bigger than Life, she also co-edited Brief Encounters: A Collection of Contemporary Nonfiction with the late Judith Kitchen. Her latest book, Coffee, was published in Bloomsbury’s Object Lessons series. Dinah lives (reads, writes, grinds, brews—in a Chemex, by the way) with her husband in Los Angeles.
Drew Pham is a queer, transgender writer of Vietnamese heritage. A child of war refugees, her work centers on legacies of violence in times of conflict. She has published in Blunderbuss Magazine, McSweeny’s, Slice Magazine, Foreign Policy, Time Magazine, The Daily Beast, and Columbia Journal, among others. She lives with her two cats in Brooklyn, NY, and she serves as an adjunct English lecturer at CUNY Brooklyn College.
Claire Rudy Foster is an award-winning queer, nonbinary trans author from Portland, Oregon. Foster’s critically acclaimed short story collection Shine of the Ever was an O: The Oprah Magazine pick for 2019. Their essays, fiction, reporting, book reviews, and other writing appear in The New York Times, McSweeney’s, Allure, on NPR, and many other places. Foster is Senior Features Editor at The Rumpus. They still believe in the power of well-written sentences.
shea wesley martin is a fat, Black, queer, non-binary writer based in the mountains of Vermont. they write about the joy, pain, and triumph of being Black, queer, and not-quite-woman in and beyond this world. a freelance educator, they also research, consult, and write about creating and sustaining liberatory learning spaces.
Lise Funderburg’s latest book is Apple, Tree: Writers on Their Parents, a collection of all-new work by twenty-five writers, which Publishers Weekly deemed a “sparkling anthology” in its starred review. Previous books include the memoir, Pig Candy: Taking My Father South, Taking My Father Home, and the recently reissued collection of oral histories, Black, White, Other: Biracial Americans Talk About Race and Identity. Her work has been published in the New York Times, TIME, the Philadelphia Inquirer, The Nation, MORE, Chattahoochee Review, Oprah Magazine, and Prevention. Lise has been awarded residencies at the Civitella Ranieri Foundation, MacDowell, Thurber House, and Blue Mountain, among others, and she won a Nonfiction Fellowship from the Pennsylvania Council on the Arts. She teaches creative writing at the University of Pennsylvania and teaches at the Paris Writers’ Workshop.
Sydney Tammarine’s work has appeared in Ploughshares, LIT, Pithead Chapel, The Missing Slate, and other journals. She is the co-translator of a book of poems, The Most Beautiful Cemetery in Chile. She holds an MFA in Creative Writing from Hollins University and teaches writing at Virginia Military Institute. She has led workshops at The Ohio State University, Hollins University, Otterbein University, and at high schools, including as Writer-in-Residence at Appomattox Regional Governor’s School. She serves as flash and creative nonfiction editor for Cleaver.
Cleaver Poetry Reviews Editor 
Sydney Tammarine
AFTERBURN
Lucy Spelman is a board-certified zoo and wildlife veterinarian with degrees from Brown University and the University of California at Davis. During her tenure as the first woman and youngest person to head the Smithsonian’s National Zoo, she brought two giant pandas to the US from China and launched a major renovation plan. She worked as a consultant for Animal Planet before moving to central Africa to run the field program for the Gorilla Doctors. Inspired by the many connections between the arts and sciences, she began teaching biology to students at the 
