Graphic Narrative Reviews

BARNABY VOL. 1 by Crockett Johnson | reviewed by Travis DuBose

BARNABY VOL. 1 by Crockett Johnson | reviewed by Travis DuBose

BARNABY VOL. 1 by Crockett Johnson introduction by Chris Ware; Art direction by Daniel Clowes Fantagraphics, 336 pages reviewed by Travis DuBose In his foreword to its first collected volume, Chris Ware compares Barnaby, Crockett Johnson's 1940s newspaper strip, to other early influential comics like Little Nemo, Krazy Kat and Peanuts. He goes on to say that Barnaby is “the last great comic strip,” a description that ends up being a little unfair to any first time readers of Barnaby: though there are moments of greatness in it, Volume One mostly points forward to the strip's potential, rather than showcasing ...
THE END by Anders Nilsen reviewed by Henry Steinberg

THE END by Anders Nilsen reviewed by Henry Steinberg

THE END by Anders Nilsen Fantagraphics Books, 80 pages Reviewed by Henry Steinberg
The Humming Bird. The Condor. The Giant. The Hands.

I hold your head in my hands and your heart in my heart and I look at you and I am floating above the bed alone and there's nothing I can do at all because you're gone.

Nazca geoglyphs These are the Nazca Lines. Located in the southern desert of Peru, these ancient geoglyphs dot the landscape, their purpose unknown, their mystery immense. Carved into the earth by the Nazca Peoples, the exact date of their creation is impossible ...
TODAY IS THE LAST DAY OF THE REST OF YOUR LIFE by Ulli Lust reviewed by Tahneer Oksman

TODAY IS THE LAST DAY OF THE REST OF YOUR LIFE by Ulli Lust reviewed by Tahneer Oksman

TODAY IS THE LAST DAY OF THE REST OF YOUR LIFE by Ulli Lust translated by Kim Thomson Fantagraphics Books, 460 pages Reviewed by Tahneer Oksman Note: Lust’s memoir was edited and translated into English by comics visionary Kim Thompson, who passed away earlier this week. This book, along with countless others, is a tribute to his legacy. --T.O. Why weren’t more women dharma bums, taking trips across the country like the Kerouac’s and Cassady’s and Snyder’s of On the Road and beyond? Why weren’t more of them trekking up desolation mountains, sleeping in boxcars, bumming cigarettes and hash and old ...
RAVEN GIRL by Audrey Niffenegger reviewed by Amy Victoria Blakemore

RAVEN GIRL by Audrey Niffenegger reviewed by Amy Victoria Blakemore

RAVEN GIRL by Audrey Niffenegger  Abrams ComicsArt, 80 pages Reviewed by Amy Victoria Blakemore At eighty pages, Audrey Niffenegger’s Raven Girl goes by quickly. We meet two improbable lovers, who have an improbable child, who finds love in her own (you guessed it) improbable way. Raven Girl is undoubtedly a fairy tale, cooked up with ingredients of the genre that readers will identify early on – anthropomorphized animals, an unexpected road to a relationship, a metamorphosis of the body, an enemy, etc. What is truly new about this work may not be immediately apparent, but once we notice it, we ...
YOU’RE ALL JUST JEALOUS OF MY JETPACK by Tom Gauld reviewed by Rebecca Dubow

YOU’RE ALL JUST JEALOUS OF MY JETPACK by Tom Gauld reviewed by Rebecca Dubow

YOU’RE ALL JUST JEALOUS OF MY JETPACK by Tom Gauld reviewed by Rebecca Dubow

Tom Gauld, reviewed by Rebecca Dubow
YOU’RE ALL JUST JEALOUS OF MY JETPACK (Drawn & Quarterly, 180 pages)

Tom Gauld’s latest graphic novel, You’re All Just Jealous of My Jetpack, is a hundred and eighty pages of cartoons about classic literature in the digital age. Many of these graphics have already appeared in The Guardian, but reading each of them back to back is especially satisfying. Experienced this way, his cartoons argue for a seamless intersection of literary fiction and popular culture. A graphic novel is the ideal medium to accomplish this marriage because it has historically been associated with ...
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