BEAUTIFUL IN ITS SLOWNESS: An Interview with Rachel Slotnick by Millicent Borges Accardi

Everyone kept telling me that I was writing and painting in a way that inhabited the same space and when my publisher decided to link these two worlds, at first, I was ambivalent. It was not something I thought possible. I was always working in both realms, often reimagining stories as portraits, and vice versa. I knew I was tapping into the same world, though there was a different sort of energy depending upon my point of entry. No matter how tired I was or how much my head ached, painting always made me feel better. I walked away energized, enthused, even daresay, upbeat. But writing was much more morbid. After writing, I felt drained and would often collapse into bed. It took something from me whereas painting gave me something back. I think by performing both behaviors I achieved stasis.